100 Years of Performance, curated by Klaus Biesenbach, PS1 Chief
Curatorial Advisor and MoMA Chief Curator of Media and Performance Art, and
RoseLee Goldberg, Director and Curator of Performa, will trace the development
of performance art over the past century with a wealth of assembled archival
documents, photography, film, and audio materials, culminating in a performance
festival.
100 Years of Performance (Version #3, Moscow, June 2010) provides a fascinating
overview of some of the most significant performance art movements, happenings
and seminal works from the Futurist Manifesto in 1909 until the present day.
The exhibition includes work by Yayoi Kusama, Yoko Ono’s Cut
Piece (1965); Francis Alÿs’ When Faith Moves Mountains (2002);
Matthew Barney’s Drawing Restraint (2005).
The curators have created this exhibition as a living and evolving project and
invite russian artists and visitors of the exhibition to add their ideas.
Klaus Bisenbach: "Moscow-based artists, scholars, curators and
general public are invited to contribute to the “living exhibition” nature of
100 Years of Performance, by adding performances, happenings, actions and
gestures that you consider influential, which happened in Moscow and Russia in
the last decade. Your ideas will be added to the growing exhibition and then
celebrated at a special performance festival for the closing of the exhibition
at the Garage Centre for Contemporary Culture."
Please send your proposals entitled "100 Years of performance"
torsvp@garageccc.com
Co-Curators:
Klaus Biesenbach and RoseLee
Goldberg
Curator profile:
Klaus Biesenbach is Director of MoMA PS1 and a Chief Curator
at Large at The Museum of Modern Art. Biesenbach was appointed Curator in
MoMA's Department of Film and Media in 2004 and became Chief Curatorial Advisor
at MoMA PS1. He was named Chief Curator of MoMA's newly formed Department of
Media in 2006, which was broadened to the Department of Media and Performance
Art in 2009. As Chief Curator of the department, Biesenbach led a range of
pioneering initiatives, including the launch of a new performance art
exhibition series; an ongoing series of workshops for artists and curators,
important aquisitions of media and performance art; and the museum's
presentation in 2010 of a major retrospective of the work of the performance
artist Marina Abramović.
Among the recent exhibitions Biesenbach has organized internationally are
Performance 1: Tehching Hsieh (2009); Pipilotti Rist: Pour Your Body Out (7354
Cubic Meters) (2008); Take your time: Olafur Eliasson (2008, with Roxana
Marcoci, Curator, Department of Photography), Doug Aitken: sleepwalkers (2007,
co-commissioned with Creative Time), Regarding Terror: The Red Army Faction
Exhibition (Berlin and Graz, 2005); The Shanghai Biennale (2002); Venice
Biennale (1995); Hybrid Workspace at Documenta X (Kassel, 1997); and 37 Rooms
(Berlin, 1992).
Biesenbach founded Kunst-Werke (KW) Institute for Contemporary Art in Berlin in
1991, as well as the Berlin Biennale in 1996, and remains Founding Director of
both entities.
RoseLee Goldberg is an American-based art historian, author,
critic and curator. She wrote a study of performance art, Performance Art: From
Futurism to the Present. First published in 1979 and now in its third edition
(2001), Goldberg's book is now a key text for teaching performance in
universities and has been translated into over seven languages. As
director of the Royal College of Art Gallery, London, Goldberg set
precedents[citation needed] for exhibiting modern and contemporary performance
and organized exhibitions, performance series, and symposia on a broad range of
multi-disciplinary artists including Marina Abramovic, Bernd and Hilla Becher,
Christian Boltanski, Brian Eno, the Kipper Kids, Piero Manzoni, Anthony McCall,
and Christo and Jeanne Claude. Goldberg was curator at The Kitchen, New York,
where she presented works by Laurie Anderson, Phillip Glass, Peter Gordon,
Meredith Monk, and Robert Wilson and curated the first solo exhibitions of Jack
Goldstein, Sherrie Levine, Robert Longo, David Salle, and Cindy Sherman, among
others.
Goldberg has curated several performance series including "Six Evenings of
Performance," as part of the High and Low: Modern Art and Popular Culture,
exhibition at the Museum of Modern Art, New York and Couleurs Superposees: Acte
VII, a performance by Daniel Buren, (in association with Works & Process),
at the Guggenheim, New York. In 2001 Goldberg commissioned and produced Logic
of the Birds, a multi-media performance by Shirin Neshat in collaboration with
composer and singer Sussan Deyhim. She is a frequent contributor to Artforum,
and her publications include Performance Since 1960 (1998), Laurie Anderson
(2000) and Shirin Neshat (2002). Goldberg has two forthcoming books in 2007:
PERFORMA, the first in a series of publications to accompany the PERFORMA
biennials and Performance Now: New Art, New Dance, New Media published by
Thames and Hudson. She was recently named a Chevalier of the Order of Arts and
Letters by the French Minister of Culture and Communication.
Co-initiators:
100 Years of Performance (Version #3, Moscow, June 2010) is
organized by MoMA PS1 and Performa. The exhibition is curated by Klaus
Biesenbach, Director of MoMA PS1 and a Chief Curator at Large at The Museum of
Modern Art; and RoseLee Goldberg, Director and Curator of Performa. The
exhibition is made possible by the Annual Exhibition Fund of P.S.1 Contemporary
Art Center with generous support from Julia Stoschek. is being presented with
P.S.1 Contemporary Art Center, an affiliate of New York’s MoMA-Museum of Modern
Art, and Performa (New York).
